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Tomatometers - 6,5 / 10. Mudassar Aziz. Directed by - Mudassar Aziz. runtime - 2hour, 6 minutes. Cast - Bhumi Pednekar. Comedy. I am seeing this video only for Dheeme dheeme i heard this song 10 month real video of this song is very cool. Image Credit: Film: Pati Patni Aur Woh Director: Mudassar Aziz Cast: Kartik Aaryan, Bhumi Pednkar, Ananya Panday and Aparshakti Khurrana Stars: 2. 5 out of 5 The belief that a marriage is not a rehabilitation centre for badly behaved men becomes stronger as you watch Bollywood actor Kartik Aaryans unthreatening and tame romantic comedy ‘Pati Patni Aur Woh. This cautionary tale of emotional infidelity in times of chronic marital monotony has its mix of golden and infuriatingly grating moments, just like any real-life marriage. The plot Aaryan plays Abhinav Tyagi aka Chintu Tyagi in the throes of a quarter-life crisis. Just like his parents wanted, hes a topper of his college and marries the woman of his parents choice as soon as he lands a respectable job at a government office in Kanpur. His wife Vedika is fetching and feisty, played with grit and gumption by Bhumi Pednekar. They are blissfully content in their uneventful lives, but Tyagis harmonious life is rattled when Tapasya (Ananya Panday) walks into his office. He harbours an inappropriate crush and lies his way into Tapasyas heart. The plot is predictable and doesnt stray far from the revealing trailer. What we liked about the film Its the collective performances that elevate this mediocre romantic comedy into watchable cinema. Pednekar as a small-town wife who dreams of migrating to a bigger city like Delhi and nags her husband constantly about it is a hoot. She is immensely likeable. The same could be said about Panday and Aaryan. Though you never fully understand why an accomplished woman like Tapasya — a self-made entrepreneur from Delhi — would be attracted to a conventional, borderline-nerdy man like Tyagi, their forbidden friendship is mildly engaging. But its Aaryans best friend Aparshakti Khurrana as Fahim who had our hearts. His comic timing is impeccable and he has a sizzling chemistry with his hapless college mate whos also in top form. Their verbal sparring about his impending infidelity and the way he protects his friends philandering ways is wildly entertaining. The same couldnt be said about the chemistry between Tapasya and Tyagi. Its purely vanilla and the heat that you expect from a couple hurtling towards an illicit affair is sorely missing. It should also be noted that Aaryans monologue and tirade about married men being trapped in loveless unions has been tweaked and the reference to marital rape has been removed completely. What we disliked about the film The pace is problematic. The movie moves languidly in the first half and is flaccid for most parts. Its the second half where the comedy gains some momentum when the women seem to take charge of Tyagis transgressions. All forces are at work to make Tyagi — whos essentially a narcissistic cad — look like a bumbling idiot. In reality, hes just a petulant man-child who refuses to take agency or charge of his life and the women in his life bear the brunt of his immature nature. But none of that is explored in this film that climaxes into a chaotic comedy of errors. The vivacious women, especially Pednekar, deserves someone better than Chintu Tyagi. He isnt half the man for her. While Panday doesnt do too shabbily, she looks coltish in the scenes wheres she on call to look bodacious and fiercely attractive. Shes supposed to be the embodiment of that unattainable woman in a mans life, but Panday comes across as an adorable girl-next-door with youth on her side. The movie focuses largely on the mans perspective and doesnt give much love to what a woman or a wife wants. If I had to pick, I would be more interested in knowing why or why not a well-rounded individual like Vedika would stick to her personality-stripped husband. Verdict Director Mudassar Aziz has put together a comedy thats perfect for a one-time-watch. It isnt life-altering, but makes for a pleasant watch. Sign up for Going Out Let us tell you what to do in the UAE Please enter your email address.
What else is say they want homely less makeup less hot and then ultimately will pick and desire the opposite. .hypocrites. My wife made me watch this movie. It's one of the worst films I have ever watched. I'd rather watch my garage door go up and down for 2 hrs 38 minutes and 45 seconds.
. Ananya: Tum iss Shaadi mein Kya Kar rahe ho? Kartik: Acche dino ka intezar Me: Wah Modiji Wah! 😂🤣. Distracting cinematography. I felt. Pati Patni Aur Woh Poster Directed by B. R. Chopra Produced by B. Chopra Written by Kamleshwar Starring Sanjeev Kumar Vidya Sinha Ranjeeta Music by Ravindra Jain Release date 7 July 1978 Running time 141 minutes Country India Language Hindi Pati Patni Aur Woh ( transl. The husband, the wife and the mistress) is a 1978 Hindi movie produced and directed by B. Chopra. The film stars Sanjeev Kumar, Vidya Sinha, Ranjeeta Kaur, and in guest appearances Rishi Kapoor, Neetu Singh and Parveen Babi. The film was remade under the same name in 2019 starring Kartik Aaryan, Bhumi Pednekar and Ananya Pandey. The film was directed by Mudassar Aziz and produced by Bhushan Kumar. Plot [ edit] The film starts off indicating the parallels of the story with that of Adam & Eve. Here, Adam is Ranjeet, Eve is Sharda while the apple is Nirmala. Ranjeet is newly employed in a company, whose pay scales can be gauged from the fact that he goes to work on a bicycle. However, this bicycle itself brings him face-to-face with Sharda, when he bumps into her by accident. Sharda's bicycle gets badly damaged & Ranjeet drops her off. The same evening, Ranjeet goes to the wedding of his friend Abdul Karim Durrani ( Asrani) a co-worker & a poet. Sharda is also present at the ceremony. Sharda & Ranjeet's love blossoms from there & soon they get married. In the course of a few years, Ranjeet is Sales Manager of the company and father of a son. Sharda & Ranjeet are still living in marital bliss. That is, until Nirmala, Ranjeet's new secretary, shows up. Ranjeet is inexplicably attracted to Nirmala. She is an honest girl who is trying to make two ends meet. She is much more beautiful compared to Sharda. But most of all, she knows nothing about Ranjeet's true intentions & his married life. Ranjeet is initially upset with his thoughts about her, but finally gives in. He carefully plans his further steps. He pretends to be the helpless grieving husband of a cancer stricken wife, who won't live much longer. Nirmala feels sorry for him, thus making it easier for him to get close to her. Nobody, not Sharda, not even his closest friend, suspects a thing. One day, Ranjeet bluffs to Sharda that he will be late coming home as he has a meeting. He takes Nirmala out to dinner. Next day, Sharda finds Nirmala's handkerchief, with lipstick marks on it, in Ranjeet's pocket. She immediately confronts Ranjeet, who makes up a story about a co-worker whose handkerchief he may have accidentally taken. Sharda reluctantly believes him. Ranjeet decides to take his next steps more carefully. Sharda too starts thinking that her fears were unfounded. Ranjeet makes even more interesting back up plans: He prepares two books of poetry, professing his love. The poems are the same in both, only one book contains Nirmala's name, and the other contains Sharda's. Ranjeet courts Nirmala without Sharda's knowledge. The turning point comes when Sharda sees him in a hotel with Nirmala. She later asks him about his meeting, about which the clueless Ranjeet lies. Sharda's fears are confirmed. She starts spying on him & Nirmala, taking incriminating pictures. After sufficient evidence is obtained, she secretly meets Nirmala, posing as a journalist. Nirmala, who hasn't seen Ranjeet's "ailing wife" yet, thinks Sharda intends to blackmail her. But Sharda reassures her that she won't. Nirmala spills all the beans, upon which Sharda reveals her true identity. Meanwhile, Ranjeet gets another promotion & rushes home happily to tell his wife about it. Sharda catches him unawares and lets him know that he is busted. Ranjeet does not know what has hit him. He turns round, only to see Nirmala behind him. Sharda tells him that she is leaving him & the divorce papers will be soon sent to him. Sharda & Nirmala console each other. Ranjeet calls upon his friend & lies that Nirmala has said some malicious lies to Sharda about him. Ranjeet's friend sides with him & lies about Nirmala's character. Sharda exposes Ranjeet in front of him as well, with help of the evidence she has collected. Sharda tells Ranjeet to choose either her or Nirmala. Ranjeet quietly gives Nirmala some money & lies to her, in a last-ditch attempt at damage control. But honest Nirmala returns the money to Sharda, making things even worse for Ranjeet. Sharda prepares to walk out on Ranjeet, while Nirmala resigns and leaves Ranjeet as well. Sharda comes to visit Ranjeet one last time, when their innocent son asks what is happening. Sharda decides to give Ranjeet another chance, if only for their son and soon life comes back on track. But soon another secretary( Parveen Babi) joins the office & Ranjeet tries to resort to his antics once more. Just by coincidence, Ranjeet's friend suddenly walks in & Ranjeet backs off, taking this as a warning. Cast [ edit] Sanjeev Kumar as Ranjeet Chhadha Vidya Sinha as Sharda Chhadha Ranjeeta Kaur as Nirmala Deshpande Asrani as Abdul Karim Durrani Parveen Babi as Neeta (Guest appearance) Nana Palsikar as Nirmala's Nanaji Om Shivpuri as Sharda's Father Rishi Kapoor as Singer (Cameo of song "Tere Naam Tere Naam" Neetu Singh as Singer (Cameo of song "Tere Naam Tere Naam" Soundtrack [ edit] All lyrics are written by Anand Bakshi; all music is composed by Ravindra Jain. Songs No. Title Playback Length 1. "Ladki Cycle Wali" Mahendra Kapoor, Asha Bhosle 2. "Na Aaj Tha Na Kal Tha" Kishore Kumar 3. "Tere Naam Tere Naam" Mahendra Kapoor 4. "Thande Thande Paani Se Nahana" Mahendra Kapoor, Asha Bhosle, Poornima Awards and nominations [ edit] Remake [ edit] The remake of the film Released end of 2019. It is produced by Bhushan Kumar, Juno Chopra and Abhay Chopra with Rajiv Jha Kartik Aaryan, Bhumi Pednekar and Ananya Pandey as star cast. The film is directed by Mudassar Aziz and the filming began in February 2019. [2] The film is scheduled for release on 6 December 2019. [3] References [ edit] External links [ edit] Pati Patni Aur Woh on IMDb.
Kartik Aryan missing Tino ho te to all time blackbuster hota movie. Phunnoo :P. Kon kon❤ Ayushman❤ ke Fan hain.😇♥ ⬇👇 👇⬇ ⬇👇 👇⬇ ⬇👇 🔥HIT LIKE FOR 🔥Ayushman🔥. Movie Name: Pati Patni Aur Woh Cast: Kartik Aaryan, Bhumi Pednekar, Ananya Panday Director: Mudassar Aziz What do you picture when you hear the words, Pati Patni Aur Woh? A privileged husband, a helpless wife and a modern damsel. The new Mudassar Aziz film is everything but not what BR Chopra showed us in 1978 film of the same name. Starring Kartik Aaryan, Ananya Panday and Bhumi Pednekar, Pati Patni Aur Woh is a modern take on the age-old concept of infidelity. Here, the guy, Abhinav Tyagi AKA Chintu Tyagi played by Kartik Aaryan, is not a usual confident casanova but an IIT topper and a government employee, who has been in only one relationship before his marriage and is still not over his first girlfriend who left him in just 1. 5 month. Right after securing a good government job, Abhinav is asked to get married by his father and made to meet Vedika Tripathi (Bhumi Pednekar. Vedika is a modern-day independent and confident women, who doesn't shy away to tell her prospective partner that she likes sex. Disappointed by her relationship with a rebel ex-boyfriend, she now wants to have a secure life and therefore wants to get married to the man of her parents' choice. In bits and pieces, Pati Patni Aur Woh's Vedika reminds you of Kangana Ranaut's Tanu from Anand L Rai's Tanu Weds Manu. Watch Pati Patni Aur Woh trailer here: Abhinav and Vedika are married off and start their new life in a house in a government residents' society of Kanpur. Just like any other marriage, everything is perfect in the initial days. There is love, sex and good food, but the charm of a new wedding fades in some time when Vedika also starts working in a coaching class as a Physics teacher. And then comes Tapasya Singh, played by Ananya Panday, a fashion designer from Delhi who wants to set up a leather products manufacturing unit in Kanpur. Abhinav is asked by his boss to help Tapasya find a good piece of land to set-up her project. And that's what he does with regularly roaming in the city, trying out local street food and casual flirting. Abhinav, who is bored of his three-year-old marriage wants a little spice in his life and therefore starts an extramarital affair with this 'Dilli ki Diva. And here begins the misadventures of Engineer Chintu Tyagi. He is reprimanded by his childhood friend Fahim Rizvi, played by the very charming Aparshakti Khurana, that it can hurt both his wife and his new girlfriend. To which, Abhinav replies with the controversial monologue that went viral right after the release of the trailer. As promised by the makers, the "misogynistic" piece has been slightly edited by replacing the term 'balatkari' with a less controversial word. Mudassar Aziz's take on BR Chopra's 1978 release is contemporary and has improved a lot on the misogynistic tone with which the original was made. The USP of the new film is its dialogues which flow like fresh air. Some of the best dialogues are given to Aparshakti Khurana whose effortless dialogue delivery makes it more enjoyable. "Miyan hum toh highlights dene aaye the, yahaan toh live telecast chal raha hai. is just one among many gems that comes out of the Stree actor's mouth. The dialogue and screenplay credits also go to director Mudassar Aziz. While Pati Patni Aur Woh is a good one-time watch, there is nothing to take home. Of late, we have had a high dose of films set in a small town, especially in Uttar Pradesh. Every such film has a joke on the current political scenario in the state which sometimes gets monotonous. However, in the introductory scene when the narrator says, Aisa koi prashan nahi jiska uttar Uttar Pradesh main nahi hai. strikes the right chord with the audiences. The performances by the lead actors are satisfactory and not out-of-the-box. Except for Kartik Aaryan's look there is nothing new we see in Abhinav Tyagi. Bhumi Pednekar shines here and there and that is because of the kind of role she was given. She needs to work on her dialogue delivery which appears repetitive in all the characters played by her recently. The way she talks with her mouth left open is same whether she is playing a sixty-year old woman from a village in Baghpat or a lawyer from Kanpur or the latest an MSc degree-holder from Lucknow. Ananya Panday is bland and boring with no spice. The music album of Pati Patni Aur Woh boasts of remakes of several popular tracks like Tony Kakkar's Dheeme Dheeme and Govinda and Raveena Tandon's Akhiyon Se Goli Mare. Apart from these, no other song stands out. Pati Patni Aur Woh is a fun and entertaining watch and should not be missed to erase all the bad memories created by the original one. The film has a few surprises which are not reason enough to make the film a compulsory watch. If you are free this weekend and want to enjoy some time with friends and family, go watch this film with them and come home unaffected. Were going with 2. 5 stars out of 5. ALSO READ, Throwback Thursday: What was wrong with the original Pati Patni Aur Woh ALSO READ, Kartik Aaryan on marital rape dialogue in Pati Patni Aur Woh: Didn't want to hurt sentiments ALSO READ, Pati Patni Aur Woh row: Kartik Aaryan's marital rape dialogue to be edited out, says report ALSO READ, Kartik Aaryan reveals he hasn't watched the original Pati Patni Aur Woh: I didn't want any influence ALSO WATCH, Be happy with the way you are, says Bhumi Pednekar.
Kon Kon 🤫 Kis Kis Karne wale 2 🤬 Baap Ke. 👰Tum es shadi me Kar kya rahe ho ? 😒 - ache Dino Ka intjar 😭😭😭 ( 1:55. In the trailer for Pati Patni Aur Woh, Kartik Aaryans Abhinav ends a rant about put-on Indian middle-class husbands with: “If we somehow find a roundabout way to get sex (from our wives) were called balaatkari (rapists. The line was roundly criticized, and has been replaced in Mudassar Aziz's film with badsanskari (bad values. Offensive as it is, I wish itd been left in. It fixes the film squarely in the #MeToo era, with serious questions of consent devolving into inanities like “now we cant even talk to women anyone. Perhaps the line was bait – theres nothing in the film remotely as incendiary. In fact, the problem with Pati, Patni Aur Woh isnt that its offensive, but that it's dull and predictable for too much of its running time. It starts with a provocation; as their families meet to discuss a possible union, Vedika (Bhumi Pednekar, her skin tone back to normal after Bala) responds to Abhinav's timid question about her hobbies with “Sex. But she likes what she sees, and soon theyre husband and wife. The film skips over their honeymoon period; a few scenes after the wedding, theyre just another Kanpur couple leading staid lives. Even their jobs are boring – hes in the Public Works Department; shes a physics teacher. The stasis weighs on Abhinav, who keeps bringing up an old flame to his friend Fahim (Aparshakti Khurana. But then a new distraction enters his life: Tapasya (Ananya Panday) newly arrived from Delhi, in search of a plot of land. Abhinav, captivated by her big-city glamour, gets assigned to her case. Soon, hes spending all his time with her and lying to his wife. As Abhivav begins to stray, the film loses out on having him and Vedika in scenes together. Its a pity: the two are a believable, deftly drawn couple, more interesting when theyre bickering than he is with the blandly available Tapasya. Aaryan's moustache might remind viewers of Amol Palekar, but it might be better to think of him as a defiantly un-woke alternative to the male anxiety figure represented by Ayushmann Khurana. He gets to do his patented women-ruin-everything rants, but the film wants it both ways, tacking on a ridiculous twist to show how much agency Vedika has. Azizs films after Happy Bhaag Jayegi (2016) havent quite landed, but he has an undeniable way with words. All the actors get eccentrically memorable lines here, with Aparshakti a particular delight. Not many performers have the chops to make “Astaghfirullah" and “Aint no sunshine when shes gone" equally funny. It might be time to take the actor off supporting duty.
The trailer description says 1 st November and the video says 8 th November. Mstt but may be hd print🤔🙄. Outstanding trailer and movie also. It's definitely an entertainer - those witty one-liners are too the point in this movie. The movie script is well written and all the actors (whether those in lead roles or in the supporting cast) played their roles really well. Kartik, Bhumi and Aparshakti are phenomenal as always. Ananya Pandey looks more confident as an actor in this film, and has played her part really well. I really liked her role in this movie.
It does highlight some of the important issues of the modern relationships. Majority of us might be aware of them yet overlook them. It is true that in reality the people may not show the same level of maturity as presented by the characters in the film.
I would surely recommend this movie. I hope you will have a good time. br> Bonus: You may get a chance to learn some new words from UP's dictionary ( P.
Lol manual 😕. Neha ma'am well sung yaar 😍.
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